If you’re simply looking for a high-res QuickTime video, the built-in options in FCPX are perfect. Although we’re not in Compressor today, you can put the file in a Compressor batch where it can be encoded into a much wider variety of formats and codecs (you must have purchased and installed Compressor for this to work). Next, choose what you would like FCPX to do with the file after export. If file size is of concern, then high-res H.264 QuickTime is a solid, built-in option. You can export all the way up to ProRes 4444 XQ if desired, but the file size will be large. Since our project and footage was shot in ProRes 422, we’ll remain within this codec. In the dialogue box, you can choose to export using your Current Settings or select another codec. For all of the options we just looked at, we’ll select Master File. The third approach - my personal favorite, shown below - simply click the export icon at the top right of the program, and choose your export method. The second option - choose File > Share > Master File (Default) in the menu bar. The first option - use the shortcut COMMAND + E to open up the Export window.
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Here are three of the easiest ways to start your export. Then, select the project you would like to export. First, open up your project library view with the shortcut COMMAND + 0. You’ve worked tirelessly to complete your edit, and now it’s time to export.
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CAN YOU CUT VIDEO WITH FINAL MEDIA PLAYER MOVIE
Here’s the fast, easy way to export a hi-res QuickTime movie out of FCPX. Of course, with a variety of high-res export options available, it can be daunting - if not downright confusing - to determine which export settings will yield the best results. If you’re looking to create a high-res master QuickTime file of your film or video project, then FCPX is optimized for just that.
CAN YOU CUT VIDEO WITH FINAL MEDIA PLAYER PRO
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Performance tests are conducted using specific computer systems and reflect the approximate performance of MacBook Pro. Prerelease Final Cut Pro 10.6 tested using a 5-minute project with 8K Apple ProRes 422 media, at 8192x4320 resolution and 29.97 frames per second. Testing conducted by Apple in September 2021 using preproduction 16-inch MacBook Pro systems with Apple M1 Max, 10-core CPU and 32-core GPU, as well as production 2.4GHz 8-core Intel Core i9-based 16-inch MacBook Pro systems with Radeon Pro 5600M graphics with 8GB of HBM2, all configured with 64GB of RAM and 8TB SSD.Prerelease Final Cut Pro 10.6 tested using a 5-minute project with 4K Apple ProRes 4444 media, at 3840x2160 resolution and 23.98 frames per second, transcoded to Apple ProRes 422. Testing conducted by Apple in September 2021 using preproduction 16-inch MacBook Pro systems with Apple M1 Max, 10-core CPU and 32-core GPU, as well as production 2.4GHz 8-core Intel Core i9-based 16-inch MacBook Pro systems with Radeon Pro 5600M graphics with 8GB of HBM2, all configured with 64GB of RAM and 8TB SSD.Prerelease Final Cut Pro 10.6 tested using a 1-minute picture-in-picture project with 7 streams of Apple ProRes 422 video at 8192x4320 resolution and 30 frames per second, as well as a 1-minute picture-in-picture project with 30 streams of Apple ProRes 422 video at 3840x2160 resolution and 29.97 frames per second. Testing conducted by Apple in September 2021 using preproduction 16-inch MacBook Pro systems with Apple M1 Max, 10-core CPU and 32-core GPU, 64GB of RAM, and 8TB SSD.